<p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文化／藝禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／我本心</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">在當(dāng)代藝術(shù)愈發(fā)趨向觀念化的今天，李剛·藝禪的創(chuàng)作軌跡猶如一道逆向的閃電，將中國(guó)文字的甲骨密碼與圍棋的黑白經(jīng)緯熔煉成視覺(jué)的舍利。這位"天垂象派"創(chuàng)立者以藝術(shù)為舟楫，在喬達(dá)摩·悉達(dá)多的本體論哲學(xué)與東方神秘主義之間擺渡，構(gòu)建出獨(dú)特的"縫隙美學(xué)"——當(dāng)兩點(diǎn)之間的時(shí)空裂縫被筆鋒擊穿的剎那，色彩與符號(hào)的坍縮中顯露出覺(jué)性的本體世界。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">In today's increasingly conceptualized contemporary art, the creative trajectory of Li Gang Yi Chan is like a reverse lightning, melting the oracle bone code of Chinese characters and the black and white latitude and longitude of Go into visual relics. The founder of the "Celestial Elephant School" used art as a boat to shuttle between Siddhartha Gautama's ontological philosophy and Eastern mysticism, constructing a unique "crevice aesthetics" - when the temporal and spatial rift between two points is pierced by the pen, the collapse of colors and symbols reveals the ontological world of consciousness.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文化／藝禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／問(wèn)天1號(hào)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.90</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="font-size:20px;">一、甲骨文的重構(gòu)：文字作為靈性拓?fù)鋵W(xué)</span></p><p class="ql-block">在《吉祥百家姓》系列中，李剛·藝禪將甲骨文從考古學(xué)的繭房中解放，通過(guò)顏料堆疊形成的物質(zhì)褶皺，使象形文字在三維空間中展開(kāi)拓?fù)渥冃巍Ｃ總€(gè)姓氏字符都化作能量流動(dòng)的管道，朱砂的熾烈與靛藍(lán)的深邃在筆觸間形成量子糾纏，恰似《易經(jīng)》中陰陽(yáng)爻變的物質(zhì)顯影。這種文字解構(gòu)不是對(duì)傳統(tǒng)的背離，而是將甲骨文作為靈性基因圖譜進(jìn)行重組，在點(diǎn)畫(huà)轉(zhuǎn)折處埋設(shè)視覺(jué)觸發(fā)器，當(dāng)觀者凝視某個(gè)筆畫(huà)的放射性裂變時(shí)，時(shí)空的連續(xù)性被瞬間瓦解。</p> <p class="ql-block"><span style="color:rgb(1, 1, 1); font-size:18px;">1、 Reconstruction of Oracle Bone Script: Text as Spiritual Topology</span></p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">In the "Auspicious Hundred Family Surnames" series, Li Gang Yichan liberated oracle bone inscriptions from the cocoon of archaeology, and through the material folds formed by the stacking of pigments, the pictographic characters underwent topological deformation in three-dimensional space. Each surname character becomes a channel for energy flow, and the fiery cinnabar and deep indigo create quantum entanglement between strokes, just like the material manifestation of yin and yang lines in the Book of Changes. This kind of textual deconstruction is not a departure from tradition, but a recombination of oracle bone script as a spiritual gene map, burying visual triggers at the turning points of pointillism. When the viewer gazes at the radioactive fission of a certain stroke, the continuity of time and space is instantly disrupted.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥百家／藝禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／孫 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">光盤(pán)材料的使用構(gòu)成獨(dú)特的媒介辯證法。工業(yè)時(shí)代的光學(xué)介質(zhì)與上古的骨甲符號(hào)在畫(huà)布上交媾，產(chǎn)生出類似佛經(jīng)中"琉璃光"的幻化效果。這種跨時(shí)空對(duì)話形成的頻閃效應(yīng)，恰如其分地演繹著藝術(shù)家對(duì)"當(dāng)下"的詮釋：當(dāng)甲骨文的物質(zhì)記憶與數(shù)字時(shí)代的光譜記憶在某個(gè)臨界點(diǎn)共振，存在的本真性在介質(zhì)碰撞的縫隙中乍現(xiàn)。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">The use of optical disc materials constitutes a unique dialectical approach to media. The optical media of the industrial era intertwine with ancient bone armor symbols on canvas, producing a transformation effect similar to the "glass light" in Buddhist scriptures. The flicker effect formed by this cross temporal dialogue perfectly interprets the artist's interpretation of the "present": when the material memory of oracle bone inscriptions resonates with the spectral memory of the digital age at a critical point, the authenticity of existence emerges in the gaps of medium collision.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">圍棋系列／藝禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／春</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯 光盤(pán)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="font-size:20px;">二、圍棋的色相涅槃：禪定中的時(shí)空折疊</span></p><p class="ql-block">圍棋系列作品《春》《夏》《秋》《冬》將361個(gè)交叉點(diǎn)轉(zhuǎn)化為色彩力場(chǎng)。李剛·藝禪以溫度感知重構(gòu)棋盤(pán)經(jīng)緯，鈷藍(lán)冰裂與赭石暖流在網(wǎng)格間形成季風(fēng)般的視覺(jué)氣候。這種對(duì)弈局面的熱力學(xué)轉(zhuǎn)化，暗合《碧巖錄》中"春有百花秋有月"的禪機(jī)，黑白博弈的二元對(duì)立在色階的無(wú)限漸變中被超克，每個(gè)色塊都成為能量駐波的顯影。</p> <p class="ql-block">2、 The Nirvana of Colors in Go: The Folding of Time and Space in Meditation</p><p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">The Go series works "Spring", "Summer", "Autumn", and "Winter" transform 361 intersections into color power fields. Li Gang Yi Chan reconstructed the longitude and latitude of the chessboard based on temperature perception, creating a monsoon like visual climate between the cobalt blue ice cracks and warm ochre currents in the grid. The thermodynamic transformation of this game situation is in line with the Zen philosophy of "spring with flowers and autumn with moon" in "The Blue Rock Record". The binary opposition of black and white games is overcome in the infinite gradient of color levels, and each color block becomes a manifestation of energy standing waves.</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">圍棋系列／藝禪彩繪</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／秋</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯 光盤(pán)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block">藝術(shù)家獨(dú)創(chuàng)的光盤(pán)拼貼技法，使棋盤(pán)在物理維度之外生長(zhǎng)出光學(xué)維度。當(dāng)環(huán)境光源掠過(guò)畫(huà)面，丙烯顏料與金屬鍍膜產(chǎn)生干涉效應(yīng)，觀者的移動(dòng)軌跡成為對(duì)弈的第四維。這種參與性時(shí)空折疊，將圍棋的"入神"境界外化為可感知的物理現(xiàn)實(shí)，在色空不二的維度驗(yàn)證著"擊穿縫隙"的藝術(shù)宣言。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">The artist's original disc collage technique allows the chessboard to grow an optical dimension beyond the physical dimension. When the ambient light source passes over the screen, the acrylic pigment interferes with the metal coating, and the viewer's movement trajectory becomes the fourth dimension of the game. This participatory folding of time and space externalizes the "immersion" realm of Go into perceptible physical reality, verifying the artistic declaration of "breaking through gaps" in the dimension of color and space.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">圍棋系列／藝禪彩繪</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／冬</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯 光盤(pán)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block"><span style="font-size:20px;">三、卦象的能量顯影：伏羲密碼的量子詮釋</span></p><p class="ql-block">《伏羲八卦/藝禪彩繪》系列中，卦爻不再是占卜符號(hào)，而是成為量子隧穿的視覺(jué)通道。李剛·藝禪用流體丙烯模擬宇宙微波背景輻射般的基底，使卦象如同漂浮在量子泡沫中的超弦。乾卦的鈦白漩渦與坤卦的赭石沉淀形成暗物質(zhì)般的引力互動(dòng)，在畫(huà)布上演繹著《周易參同契》的丹道宇宙學(xué)。</p> <p class="ql-block">3、 The Energy Development of Hexagrams: Quantum Interpretation of Fuxi's Code</p><p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">In the "Fuxi Bagua/Art Zen Painting" series, the hexagrams and lines are no longer divination symbols, but have become visual channels for quantum tunneling. Li Gang · Yichan used fluid propylene to simulate the cosmic microwave background radiation like substrate, making the hexagram like a superstring floating in a quantum foam. The titanium dioxide vortex of the Qian hexagram and the ochre precipitation of the Kun hexagram form a dark matter like gravitational interaction, interpreting the alchemy cosmology of the Book of Changes on the canvas.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">伏羲卦象／藝禪彩繪</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／乾卦（天）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">這種對(duì)易經(jīng)的量子化轉(zhuǎn)譯，在《格物致知》中達(dá)到極致。藝術(shù)家將伏羲八卦/藝禪彩繪其作品分解為光譜矩陣，每個(gè)卦象對(duì)應(yīng)特定波長(zhǎng)的光頻振動(dòng)。當(dāng)觀者沿特定路徑移動(dòng)視線，卦爻間的能量躍遷形成視覺(jué)上的貝爾實(shí)驗(yàn)，觀測(cè)行為本身成為卦變發(fā)生的必要條件，完美實(shí)現(xiàn)王陽(yáng)明"心外無(wú)物"的實(shí)證美學(xué)。</p> <p class="ql-block"><span style="color:rgb(128, 128, 128); font-size:15px;">This kind of quantized translation of the Book of Changes reaches its ultimate level in "Gazing for Knowledge". The artist decomposes the painting of Fuxi Bagua/Yichan into a spectral matrix, with each hexagram corresponding to a specific wavelength of light frequency vibration. When the viewer moves their gaze along a specific path, the energy transition between the hexagrams and lines forms a visual Bell experiment, and the observation behavior itself becomes a necessary condition for the occurrence of hexagram changes, perfectly realizing Wang Yangming's empirical aesthetics of "nothing outside the heart".</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">伏羲卦象／藝禪彩繪</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／坤卦（地）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.50</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block">在"天垂象派"的創(chuàng)作實(shí)踐中，李剛·藝禪將中國(guó)傳統(tǒng)哲學(xué)的基因片段植入當(dāng)代藝術(shù)的細(xì)胞質(zhì)，培育出具備文化本體論意義的藝術(shù)生命體。這些作品不是簡(jiǎn)單的視覺(jué)革新，而是構(gòu)建了連通形而上與形而下世界的量子通道。當(dāng)我們的視覺(jué)神經(jīng)在甲骨文的能量矩陣中震顫，在圍棋色階的波函數(shù)中坍縮，在卦象的光頻振動(dòng)中疊加，藝術(shù)終于回歸其本質(zhì)——成為人類叩擊存在本體的木鐸。</p> <p class="ql-block"><span style="font-size:15px; color:rgb(128, 128, 128);">In the creative practice of the "Tian Chui Xiang School", Li Gang Yi Chan implanted genetic fragments of traditional Chinese philosophy into the cytoplasm of contemporary art, cultivating artistic life forms with cultural ontological significance. These works are not simply visual innovations, but rather the construction of quantum channels that connect the metaphysical and the metaphysical worlds. When our visual nerves tremble in the energy matrix of oracle bone inscriptions, collapse in the wave function of Go color scales, and superimpose in the light frequency vibration of hexagrams, art finally returns to its essence - becoming the wooden vessel of human percussion existence.</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥百家／藝禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／鳳 氏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／0.50X0.60</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／藝禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">作品／格物致知</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">尺寸／1.50X1. 96</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">吉祥文字／藝禪畫(huà)符</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">作品／境隨心轉(zhuǎn)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">材質(zhì)／布上丙烯</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">尺寸／1.50X1.96</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">圍棋系列作品 （視頻）</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px; color:rgb(128, 128, 128);">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">吉祥文字／一禪畫(huà)符 （視頻）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">李剛·藝禪／雕塑家 畫(huà)家</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">（生于新疆）原籍貫江蘇省 徐州市</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1985年在中央美術(shù)學(xué)院油畫(huà)系學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1993在中央美術(shù)學(xué)院雕塑系助教研修班學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1995年在中央美術(shù)學(xué)院城市雕塑高級(jí)研修班學(xué)習(xí)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">（俄羅斯列賓美術(shù)學(xué)院 庫(kù)巴索夫主講）</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">曾經(jīng)任教新疆藝術(shù)學(xué)院</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">1996年創(chuàng)辦新疆城市雕塑創(chuàng)作設(shè)計(jì)研究中心</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中國(guó)雕塑家學(xué)會(huì)理事</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中國(guó)當(dāng)代雕塑研究院副院長(zhǎng)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">中國(guó)工藝美術(shù)學(xué)會(huì)雕塑專業(yè)委員會(huì)委員</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">匈牙利中旬美術(shù)家協(xié)會(huì)副主席</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">新疆雕塑學(xué)會(huì)副會(huì)長(zhǎng)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">北京城市規(guī)劃研究會(huì)公共環(huán)境與雕塑委員會(huì)副主任</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">原北京城市雕塑辦公室專家 顧問(wèn)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">乙巳年</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">2025年4月16日</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">北 京</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">文／尚柔</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">圖片/謫仙</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">翻譯／心語(yǔ)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">總監(jiān)／一禪</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">百度 搜索</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">“天垂象派”</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">“雕塑家李剛”、“李剛立體主義”</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">可以了解更多有關(guān)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">雕塑家李剛作品及藝術(shù)評(píng)論</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">致謝“百度“支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">致謝“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">部分圖片（視頻）來(lái)自“百度”“抖音”支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">歡迎您</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">互相交流 相互支持</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">誠(chéng)摯建立一個(gè)良好的交流平臺(tái)，</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">為能量文化做好自己</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">北京通州區(qū)宋莊園領(lǐng)部落C幢4單元102室</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">李剛雕塑藝術(shù)工作室</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">AAbc?原創(chuàng)/中國(guó)藝術(shù)&線上國(guó)際</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">感謝閱讀能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">歡迎支持轉(zhuǎn)摘.轉(zhuǎn)發(fā)中國(guó)能量文化</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">本?平臺(tái)無(wú)嘗為一線各類優(yōu)秀藝術(shù)家服務(wù)</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(128, 128, 128); font-size:15px;">可在留言處留言</span></p>