<p class="ql-block"> 楊峰，中國美術(shù)家協(xié)會會員、中國文藝評論家協(xié)會會員、中國出版工作者協(xié)會裝幀藝委會會員、吉林省書畫院特聘畫家、吉林省美術(shù)家協(xié)會第六屆、第七屆理事、原吉林省美協(xié)理論藝委會副主任、吉林省中國畫學(xué)會常務(wù)理事。研究員。1992年在吉林省革命博物館舉辦《楊峰畫展》，中央電視臺新聞聯(lián)播報(bào)道。出版《吉林民俗審美新論》、《楊峰黑白畫作品集》，在學(xué)術(shù)期刊發(fā)表論文50余篇。主持并參與院級及省級重大課題項(xiàng)目多項(xiàng)。國畫作品被中央電視臺收藏，國畫作品被吉林省美術(shù)館收藏，國畫作品被北京中藝財(cái)富畫院收藏多幅，國畫被中華民族藝術(shù)珍品博物館永久收藏，國畫被西安世界園藝博覽會博物館收藏， 國畫被中國志愿服務(wù)基金會收藏。</p><p class="ql-block">Yang Feng, a member of the Chinese Artists Association, a member of the Chinese Literary and Art Critics Association, a member of the Binding Art Committee of the Chinese Publishers Association, a director of the Jilin Artists Association, the deputy director of the Theory and Art Committee of the Jilin Artists Association, and a standing director of the Jilin Chinese Painting Society. Research fellow. In 1992, the "Yang Feng Art Exhibition" was held at the Jilin Provincial Revolutionary Museum, and it was reported on the CCTV News Network. Published "New Theory of Jilin Folk Custom Aesthetics" and "Yang Feng Black and White Painting Collection", and more than 50 papers were published in academic journals. Hosted and participated in many major projects at the institute level and provincial level. Chinese painting works are collected by CCTV, Chinese painting works are collected by the Jilin Provincial Art Museum, many Chinese painting works are collected by the Beijing Zhongyi Fortune Painting Academy, Chinese paintings are collected by the Xi'an World Horticultural Exposition Museum, and Chinese paintings are collected by the China Volunteer Service Foundation.</p><p class="ql-block"> 楊峰擅長花鳥畫的創(chuàng)作，他的藝術(shù)是用現(xiàn)代人觀念和思想分析借鑒古人的傳統(tǒng)，是從傳統(tǒng)里推陳出新留其精華去其糟粕的產(chǎn)物。具有鮮明的時(shí)代感，他把山水與花鳥工筆與寫意的筆法融匯進(jìn)來，構(gòu)圖飽滿形象夸張，運(yùn)用變形符號化等手法打散物體的自然結(jié)構(gòu)進(jìn)行立體重建。采用局部物象的真實(shí)性，與整個(gè)畫面的裝飾性平面性的互補(bǔ)關(guān)系，還融入了一些現(xiàn)代藝術(shù)和設(shè)計(jì)的形式理念，形成具有現(xiàn)代觀念的構(gòu)成形態(tài)。精微處的形象處理多以重墨焦墨重彩渲染，線條以書法的筆法陰陽頓挫的筆鋒入畫。背景的潑墨畫出雄渾的大環(huán)境，做到了枯筆與潑墨的有機(jī)結(jié)合。其線的精微于樸拙，色的艷麗以渾厚，墨的潤澤與蒼茫都得到了完美體現(xiàn)，清新質(zhì)樸天造自然之美，在其筆墨的輕松自由地運(yùn)用中自然而然的形成。</p><p class="ql-block">Yang Feng is good at the creation of flower-and-bird paintings. His art is to analyze and draw lessons from the traditions of the ancients with the concepts and ideas of modern people, and it is the product of bringing forth the new from the tradition, keeping the essence and discarding the dross. It has a distinct sense of the times. He integrates the techniques of landscape, flower-and-bird meticulous brushwork and freehand brushwork, with full composition and exaggerated images, and uses techniques such as deformation, symbolization, etc. to break up the natural structure of objects for three-dimensional reconstruction. It adopts the complementary relationship between the authenticity of local objects and the decorative and planar nature of the entire picture, and also incorporates some formal concepts of modern art and design to form a composition form with modern concepts. The image processing at the subtle parts is mostly rendered with heavy ink, charred ink and heavy colors, and the lines enter the painting with the calligraphic brushwork of the Yin and Yang pauses and strokes. The splash-ink painting of the background depicts the majestic general environment, achieving the organic combination of dry brush and splash-ink. The subtlety and simplicity of the line, the gorgeousness and thickness of the color, and the moistness and vastness of the ink have all been perfectly reflected. The fresh, simple and natural beauty created by nature is naturally formed in the relaxed and free application of his brush and ink.</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <h3>四尺</h3> <h3>四尺</h3> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <h3>四尺</h3> <h3>四尺</h3> <h3>四尺</h3> <h3>四尺</h3> <h3>四尺</h3> <p class="ql-block">四尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">小六尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">小六尺</p> <p class="ql-block">小六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">1米45x2.2米</p> <h3>八尺</h3> <h3>八尺</h3> <p class="ql-block">八尺</p> <p class="ql-block">丈二</p> <p class="ql-block">1992年在吉林省革命博物館舉辦《楊峰畫展》吉林省美協(xié)及長春美協(xié)組織座談會，畫展歷時(shí)15天，影響很大。中央電視臺新聞聯(lián)播報(bào)道，《美術(shù)觀察》《美術(shù)界》《美術(shù)大觀》《經(jīng)濟(jì)參考報(bào)》《工人日報(bào)》《深圳商報(bào)》吉林電視臺新聞聯(lián)播及文化欄目《吉林畫報(bào)》《長春日報(bào)》《長春晚報(bào)》《長春商報(bào)》《吉林美術(shù)界》《長春年鑒》等發(fā)表作品及報(bào)道、評論。</p> <p class="ql-block">2017年12月30日在長春市萬達(dá)廣場舉辦楊峰中國畫作品展覽，吉林日報(bào)，吉林畫報(bào)，長春日報(bào)，中國社科報(bào)網(wǎng)等媒體報(bào)道。</p> <p class="ql-block">2019年7月天津?qū)氎骐娨暸_水墨丹青網(wǎng)采訪</p> <p class="ql-block">2017年6月國畫作品《雄鷲》入選讓藝術(shù)走進(jìn)人民 當(dāng)代中國美術(shù)家優(yōu)秀作品公益展（北京國家會議中心展出）</p> <h3>2019年9月吉林省中國畫學(xué)會筆會</h3> <h3>2018年吉林省美術(shù)家協(xié)會組織的寫生活動(dòng)</h3> <p class="ql-block">2015年北京中藝財(cái)富畫院簽約畫家，收藏多幅中國畫作品。</p> <h3>2015年北京德泰書畫院組織的中國美術(shù)家協(xié)會會員西班牙葡萄牙采風(fēng)</h3> <p>2019年1月北京李金峰工作室相約西雙版納寫生素材創(chuàng)作班吉瑞森教授主講</p> <p class="ql-block">2019年12月與中央美術(shù)學(xué)院院長、中國美術(shù)家協(xié)會主席范迪安在中國美術(shù)館合影</p> <p class="ql-block">參加關(guān)東畫派第二屆中國畫油畫創(chuàng)作大展</p> <p class="ql-block">首屆華文出版物藝術(shù)設(shè)計(jì)大賽獲銅獎(jiǎng)</p> <p class="ql-block">主編的吉林畫報(bào)《美術(shù)世界》雜志</p>